歧观 • 悖像

        问题建筑工作室   李静晖

        如果将向庆华两年来绘画实践的主要特点看作是用一种歧异的观看方式开展的再观看活动和悖反的图像绘画所得——即歧观方式与悖像所得的话，那么，什么又是其所指的正确观看方式和正确的图像所得呢？
 这就是向庆华作品实践的问题核心。
 本次展览是一次邀请，是对那些作为向庆华绘画作品的来源，虽然他应其要求保证其隐身，但却不拒绝其自身时刻想要显形和到场的邀请；是向一个对自己的观看方式和再现实践声称是唯一正确的绘画传统发出的邀请；最终，是对一次关于绘画方法本身的问题讨论发出的邀请。
 相对于那个“正确”，通过对这一系列有问题的图像绘画在现场被经验的再观看，展览作为一个关于问题的观看现场而存在，希望对一次关于绘画问题的现场经验能够就在现场发生了。
        It’s a paradox, isn’t it?
        Issue architecture
        This exhibition can be conceived as a invite from the artist,Xiang qinghua,himself. He want to invite us to experience his individual,private and ‘else’ way of view in his works.
This exhibition can be conceived as a invite from itself for an issue. Can it be not only a view-space of exhibt but a palce of issues? The issue is about what is and how can we experience Xiang qinghua’s  ‘else’ way of view through his works this two years.
As a time of view-experience,for Xiang qinghua’s works ,if they are regarded as erroneous ways of view and image results, what are the right ones?
Finally, the issue is, as a critical and rhetorical question can be experience in this exhibition for Xiang qinghua’s works, It’s a paradox,isn’t it?