《翰海春季拍卖》文章

刘力国取材于红色经典时代的著名同名作品《毛主席去安源》。《毛主席去安源》问世于1967年“毛主席思想光辉照亮安源”画展。1969年，《毛主席去安源》一画被移交给中国革命博物馆收藏。而此件作品则将青年毛泽东的形象符号化，身着花衣，头带花簪 ，手持花红雨伞。具体而生动，作者有意与红色经典形成悖论，彻底走下神坛，而是以人的形象化来进行艺术处理的，独具匠心。 ____摘自《翰海油画雕塑专场（2006年春季拍卖会）》 2006年6月25日星期日下午2：30第215页 NO:1535 毛去安源（70×26×19） 网址：http:www.hanhai.net www.artron.net Liu Liguo got his inspiration from the famous Cultural Revolution period work “president Mao’s Going to Anyuan”. “president Mao’s Going to Anyuan” was published in the exhibition of “president Maos Thoughts Illuminating Anyuan” in 1967. In 1969, “president Mao’s Going to Anyuan” was turned over to the Chinese Revolutionary Museum, becoming a part of their permanent collection. The work symbolizes the image of young Mao Zedong, who was in a bright cloth with a flower hairpin on the head and a flower red umbrella on one hand. The concrete and vivid character indicates that the artist is intentionally contrasting his work to the ideologies of the Cultural Revolution. Mao Zedong has been knocked off from his pedestal in a very human form. This is Liu Liguo’s creative answer to dealing with art. ——2006 BEIJING HANHAI SPRING AUCTION Oil Paintings and Sculptures Web: http:www.hanhai.net www.artron.net